I saw Thee Nodes at DH three times that year and the shows have now melted into a single event in my memory. I remember that the singer from the opening punk bank, who had given a comatose performance with her back turned to the audience the entire time, was sitting onstage. Then a slim man dressed in a suit and tie, his face wrapped up in bandages like a mummy, walked onstage and shoved her off before launching into his own performance. Clearly we were in for something different.

DH is a small cramped room with a wooden staircase near the stage, leading up to a mezzanine. The singer of Thee Nodes would jump from the stage onto the staircase railing before jumping back down. During the performance, he presented himself as Mr. Node, shouting into his microphone “Mister…” before aiming it at the audience who shouted back “…Node!” “Mister…” “…Node!” “Mister…” “…Node!” “SHUT UP! SHUT UP! SHUT UP!” he yelled back. I couldn’t stop laughing. As a dance critic who dislikes so-called audience participation (which it would often be more appropriate to rebrand “audience coercion”), I found great pleasure in Mr. Node reprimanding the audience for blindly following his implied orders.

At the end of October, I saw Thee Nodes again at Barfly. As Halloween was looming, Mr. Node threw candy at the audience before doing the same with his microphone. It is that night that the moment that has most stuck with me happened. First, let me mention that Barfly has a low ceiling and that the stage is barely higher than the rest of the room. Second, let me specify that the moment I will describe was a lot shorter than my telling of it necessitates, lasting maybe a second. Here is what happened in that second: Mr. Node jumped into the audience, who – in an instinctive attempt to protect themselves – grabbed his clothes, during which he did a complete 360, walking on the ceiling before coming back down on his own two feet. Even though it happened just a few feet in front of me, now over two years later, I still fail to understand how it happened.

When I asked him about it on Quartier Général (the radio show I am part of and for which he insisted on being called Monsieur Le Node as the broadcast is in French), he simply told me that he saw space as a possibility and that he felt that, if he didn’t think about it, he could do anything. He added that somehow he never got hurt performing, except once, but only because someone threw something at him.

When I saw Thee Nodes again near the end of the year at the Montreal staple Casa del Popolo, it wasn’t one of their original songs that struck me as much as an a cappella cover by Mr. Node. It should be mentioned that Mr. Node’s voice is high-pitched and robotic; so to hear him sing “Happy Birthday” to an audience member Marilyn-Monroe-style was less sexy than it was creepy.

Mr. Node likes to twirl his microphone around by its cable and, that night, the mic kept flying off the cable. He would try to hook them back up again, but eventually he just gave up singing into the mic. Instead, he ripped his shirt open and a woman in the audience ran to the stage, took his pants off, and left him to finish his set completely naked. One could potentially be concerned about consent here but, based on ulterior performances I witnessed, I would be inclined to believe that the intervention had been staged by none other than Mr. Node himself. On the radio show, he told me that he never planned to get naked during a performance but that sometimes it just happened. That night might be the exception that confirms the rule.

When I caught Thee Nodes the following year at Brasserie Beaubien, Mr. Node began his set by throwing white glue into the audience, I can only assume because they were opening for the Texas band Glue. Once again, he ripped his shirt open, this time crowd surfing all the way to a pool table in the middle of the room, singing on top of it before finishing his set naked as streamers flew down on him. (They had been distributed to audience members beforehand.)

I’ll admit that I was a bit scared last year when I saw Thee Nodes at LOUDHOUSE. While Mr. Node usually builds up his performance throughout his set, this time he began by taking off his suit, revealing red lingerie underneath. He would put himself in suggestive positions while repeating phrases such as “Fuck me.” As someone who had seen the band multiple times, I knew what I was in for, but one could not say the same of those who hadn’t and I could feel the tension rising in the room. I feared an altercation, yet Mr. Node kept pushing, repeating “Fuck me,” and just as it seemed like things might get physical, Mr. Node launched into his set and managed to win the crowd over with his highly energetic performance. Of course, the negligée proved too fragile for his corporeal intensity and once again Mr. Node ended up naked, this time long before the end of his set.

Mr. Node has since announced that he has been diagnosed with “a very rare disease” and that his deteriorating health has made it impossible for him to continue performing with Thee Nodes. On December 21, they played one final show, little more than three years after their first one. Thee Nodes is no more, but those of us who have been fortunate enough to see them perform will undoubtedly be inclined to refer to them as one of the most memorable live acts to have come out of Montreal.

2. Thee Nodes @ LOUDHOUSE
2014 turned out to be the last year for Thee Nodes, one of the best live bands to come out of Montreal these past few years. The two shows I caught at LOUDHOUSE especially stood out, particularly one that had me a bit scared. While singer Mr. Node usually builds up his performance throughout his set, this time he began by taking off his suit, revealing red lingerie underneath. He would put himself in suggestive positions while repeating phrases such as “Fuck me.” As someone who had seen the band multiple times, I knew what I was in for, but one could not say the same of those who hadn’t and I could feel the tension rising in the room. I feared an altercation, yet Mr. Node kept pushing, repeating “Fuck me,” and just as it seemed like things might get physical, Mr. Node launched into his set and managed to win the crowd over with his highly energetic performance. Of course, the negligée proved too fragile for his corporeal intensity and Mr. Node ended up naked (as he often does, but) this time long before the end of his set. Their show with Nudes had me tweeting, “Tonight will go down as one of the sexest nights in Montreal punk history.”

3. Dawn of Midi + Nils Frahm @ Metropolis
“[Dawn of Midi regarding their] compositional process: we just stood in a room and danced for two years and at the end of it we had this album and no more girlfriends.” After seeing them live, I understand what DOM mean; I don’t know if I’ve ever seen another band whose performance was this dancy. I don’t mean by this that the musicians move a lot (the fast-paced, highly repetitious nature of their music rather ensures that they don’t) or that it’s the kind of music that would get the audience dancing. I mean that the music itself is dance. I can see it clearly. It’s choreographed by Anne Teresa De Keersmaeker. It’s like a cross between Fase, four movements to the music of Steve Reich, and Rosas danst Rosas. It’s amazing. I embarrassingly tweeted, “I’m afraid that if I said how much I loved Dawn of Midi out loud, I would sound like a very hungry woman,” followed by, “I feel like Nils Frahm is proving to me that human beings are fundamentally good.”

4. Tim Hecker @ Musée d’Art Contemporain / MUTEK
If you want to go on an astral voyage, there are probably few things as good as Hecker's ambient music to help you along. That the concert took place in a fog that made it so that you could only see a few feet in front of you probably didn't hurt either. Tweeted: “The world would be a better place if people took Tim Hecker as their god.”

5. Perfect Pussy @ La Sala Rossa
I saw Perfect Pussy twice this past year. They were already great the first time, but somehow managed to top their performance the second time around. They dragged out their finale, each musician leaving one after the other, some even then coming back to take their instruments apart while others kept the music going and a visibly spent Meredith Graves remained sitting directly on the floor, thereby cleverly avoiding the dreadful ritual of the encore.

6. (Two Crosses + Dervish + La Riposte @ Death House)
As far as I know, this concert didn’t even happen. I don’t want to say too much about what did happen because I’m not 100% sure myself. What I will say is that I didn’t mind losing my 5 bucks. It was more than worth it for what turned out to be one of the most compelling pieces of theatre I witnessed this year.

7. Dissension @ Café Chaos
I’ve been in a lot of weird places in Montreal, but this night was definitely one of the weirdest. There was a woman with a live albino snake. You could take pictures with it. (The event was a fundraiser.) A man I don’t know and who turned out to be one of the members of Dissension told me, out of nowhere, “Dude, this place is packed!” (It wasn’t.) In what is a recurring theme in my life, I felt like I was in a Gregg Araki movie. At one point, the hostess of the night said, “Free shot glasses! They’re empty, but they’re free. Happy Valentine’s Day, folks!” without a detectable ounce of irony. Oh, and did I mention that, in between two metal bands, there was a shirtless man twirling a baton? What’s most important though is that I got to discover Dissension that night. They showed me the most fun time I had all year.

8. Death Vessel @ Divan Orange
I went to see Shearwater but it’s Death Vessel who ended up blowing me away. Their music makes me feel connected to the land and to our ancestors. I’m not even sure what that means, but I don’t think any other music has ever made me feel that way before.

9. Milanku @ Turbo Haus
Tweeted: “If I ever fall in love, I want it to be scored by Milanku. That’s what love sounds like to me.”

10. SOHN @ Il Motore
It’s ironically thanks to a straight friend that I ended up at the gayest concert I attended this year. It’s so rare for pop music to translate well live, but SOHN made it happen.

11. Wapstan @ Cabaret Playhouse
Wapstan had already impressed me with his noise a couple of years ago, but this time around his physical performance followed suit, turning an aural experience into a spectacular one.

12. Gashrat @ La Vitrola
I’ve had a crush on all four members of Gashrat for a while, but it’s with this show that they truly won me over. There’s just something refreshingly democratic about how they switch instruments between almost every song, as though experiencing the many might be more important than mastering the few.

1. Porn Persons @ RATS 9

When I walked into RATS 9, there were clay statues of the Virgin Mary everywhere, less than a foot high. By the drums was a large, glowing, plastic one. Next to it, a luminous sign: PORN PERSONS. Most of the four musicians in the band, all men, had their face covered and were wearing dresses and longhaired wigs. The singer, a woman, was sporting a similar look. She sang-screamed, rolled around on the floor, dragged a case of the clay statues behind her… At a certain point, a woman in the audience felt compelled to lift up her foot and crush one of the statues with her boot. The man next to her bent down, picked up the dust in the palm of his hand, and pretended to snort it. At that moment, I knew it was the best show of the year.

https://www.facebook.com/pornpersons?fref=ts

2. Sigur Rós @ Centre Bell

Wearing a hoodie at the Sigur Rós show was one of the best accidental choices I ever made; I ended up holding my own hand the entire night.

https://soundcloud.com/sigur-ros

3. Velvet Glacier + Blight + Woe @ Deathouse

When I walked into Deathouse, Velvet Glacier was already on the floor doing his thing, shirtless, covered in tattoos, turning knobs. For just a moment, I thought God existed and that he’d answered all my prayers. When the second act, Blight, turned out to be a black metal band with a longhaired shirtless drummer, you can understand how that delusion went on for a bit longer.

https://www.facebook.com/VelvetGlacier?fref=ts
https://www.facebook.com/blightbm?fref=ts

4. Klikk + Pink Street Boys + Coke Bust @ Bar 11 (Reykjavík)

There were basically two moments when I felt at home (i.e. where I was supposed to be) during my summer in Reykjavík. One of them was when I saw Klikk at Bar 11. There I was, in a dark basement, listening to punk and watching my Icelandic crush, Klikk singer Úlfur, scream his guts out while climbing everywhere, leaving audience members to untangle the long chord of his microphone so he could keep going wherever the fuck he wanted, and leaving the mic dangling from the ceiling before exiting when he was done.

Also, the drummer from Pink Street Boys did not help my thing for drummers.

http://klikk.bandcamp.com/
https://www.facebook.com/PinkStreetBoys?fref=ts

5. Hellenica @ Deathouse

Smoke was filling up Deathouse and candles were burning onstage. Throughout his set, I developed a crush on Hellenica and thought that, if I ever held a black mass, I would definitely get him to score it.

https://www.facebook.com/hellenicahellenica?fref=ts

6. Thee Nodes + Wastoids @ Brasserie Beaubien

The infamous Mr. Node began his set by throwing white glue on the audience (I assume because they were opening for the band Glue), then ripped his shirt open, crowd surfed all the way onto a pool table, and ended up naked under streamers. All this to say that Thee Nodes gave a pretty toned down performance that night. Also, two members from Wastoids shared a kiss during one of their songs, which is always nice.

http://theenodes.bandcamp.com/
http://derangedrecords.bandcamp.com/album/wastoids

7. GAG @ Concrete Cage

The singer from GAG crowd surfed all the way onto a shady structure at the back of the room, leaving those right under it to hold it up with their hands and the rest of us to pray it wouldn’t collapse on us.

http://youtu.be/BuV8TWzHQVo

8. Klikk @ Dillon (Reykjavík)

See #4…

9. Muck + AMFJ + Whorls @ Bar 11 (Reykjavík)

…but the other time I actually felt at home in Reykjavík was when I saw Muck.

https://soundcloud.com/muck-iceland
http://amfj1.bandcamp.com/
http://whorlsband.bandcamp.com/

10. Elín Ey @ Kiki (Reykjavík)

Elín Ey (who reminded me of Rae Spoon in their more folksy days) opened her intimate set, which quietly closed the Reykjavík Pride festivities, by stating, “It’s good to be gay.” It’s hard to argue with that, especially when you’re holding the hand of a beautiful man.

https://soundcloud.com/pikupopp/elin-ey-always-a-reason

11. Dekoder @ Decadent Squalor

FULL DISCLOSURE: I consider some of the members of Dekoder to be my friends. But few things are as great as the feeling you get when you realize how fucking talented your friends are, knowing you won’t have to bullshit them after the show. And Dekoder just keeps getting better.

https://www.facebook.com/pages/Dekoder/146815648695147?fref=ts

12. Taylor Hoodlum Stevenson + Ultrathin + Soupcans @ Katacombes

The rock show that had rung in the New Year at Jackie & Judy two years ago had been (like every other show there) so underwhelming that it is a cause for celebration that the one that brought in 2013 at Katacombes was as fun as a New Year’s party should be, with the right people, and just the right level of inebriation.

https://soundcloud.com/thsofficial
https://www.facebook.com/ultrathin666
https://www.facebook.com/thesoupcans?fref=ts

2013 in My Ears – A Mix:
http://www.mediafire.com/download/c454jrcuo0qc7c7/LocalGestures2013.zip