because the personal is cultural
Somewhere between an abandoned circus where human beings are left to roam and the sandy scenery of a Western is Timber Timbre’s Hot Dreams. Despite this slightly worrisome setting, there is no explicit violence to be found here. Taylor Kirk’s warm and gentle voice is yet another that reminds us of Richard Hawley. Maybe that’s just what happens when you put echo on a man’s deep vocals. And that’s okay. So says my soul and so says my groin. It’s certainly better than the instrumental alternative. His voice reminds us that there is hope in the pleading that stems from human desire, that it is when we will cease to wish for what isn’t that we will be truly lost. He sounds a tad mischievous, like he might have a bit of control over life after all, might be able to alter it, if only slightly. The question that remains is will we make it through? The instrumental ending is not particularly hopeful except in its very last note. It probably doesn’t help that the track is titled “The Three Sisters”, like Chekhov’s play. Maybe there is reason to worry after all.
has an MA in Film Studies and works in contemporary dance. His fiction has appeared in Headlight Anthology, Cactus Heart, and Birkensnake.